From March 12 to 19
For our forthcoming participation in TEFAF Maastricht, we will present a carefully curated selection that reflects the diverse and layered identity of our gallery, spanning from the medieval period to the 20th century.
One of the highlights will be a 14th-century alabaster Virgin from the Workshop of Sant Joan de les Abadesses, preserving original traces of polychromy. It will be presented in dialogue with decorative arts objects traditionally associated with offerings to the Virgin Mary. A magnificent 17th-century Mallorcan table will preside over the stand, serving as a pedestal for an exquisite group of Talavera ceramics from the Monastery of El Escorial. Fifteenth-century Manises jars and plates, small caskets, 18th-century glass, painted marbles, and small sculptures will be arranged to evoke a Renaissance Wunderkammer.
In painting, the presentation will feature an oil painting by José de Ribera, alongside modern masterpieces including a 19th-century still life by the French artist Théodule-Augustin Ribot, an early-20th-century work by Ramon Casas, a small-format oil by Joaquín Sorolla, and a large-scale work by Miquel Barceló from the 1990s, among other pieces by Nonell, Mir, Madrazo, and Anglada-Camarasa. The language of iron will emerge in a poetic and abstract form through a sculpture by Eduardo Chillida from the 1950s, which will enter into dialogue with Pablo Picasso’s Grand vase aux femmes.

Grand vase aux femmes
1950

Peristaltic painting no. 3
1992

Saint Michael the Archangel
Segona meitat segle XVIII

Reliquary casket
Final del segle XV

Anvil of dreams III
1954 – 1958

Hispano-Moresque Charger
Segle XV

Chestnut albarello
c. 1410 – 1440

Saint Peter in Penitence

La Parisienne
Paris, 1900

Virgin and Child
c. 1340