Record details

• generalData.authorNameInListings

  Antoni Casanova Estorach (1847-1896)

• generalData.title

  Monk

• technicalData.measurements

  46 x 38cm

• technicalData.description

  Oil on canvas

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  Although Casanova Estorach achieved success in various genres, his anticlerical satirical scenes brought him the greatest triumphs. These works, characterized by their acerbic and irreverent humor, depicted clergy enjoying their privileged positions with scenes ranging from innocent gluttony to drunken revelry and humorous misunderstandings. The choice to focus on this kind of satire was influenced by the anticlerical sentiment prevalent in Paris during the 19th century, stemming from the French Revolution. This work fits within this framework: the artist features a jovial, plump monk, adorned in his characteristic religious habit, complete with small round spectacles perched on his nose. His expression is a mischievous smirk, and his eyes gleam with a lively sparkle, hinting at his roguish nature. His rosy cheeks suggest a state of mild inebriation, adding to the humorous undertone of the painting.
  The monk proudly displays a small snuff box, which becomes a focal point for the artist's satire. Snuff, a finely ground tobacco meant to be inhaled through the nose, gained popularity in Europe during the 16th century, with Seville, Spain, becoming a key centre for its production. By the 18th century, it had become a luxury commodity favoured by the elite, often seen as a symbol of refinement and indulgence. The monk’s possession of such an item adds a layer of irony, as the Church, under Pope Urban VIII, banned its use in churches. Yet, prominent figures such as Pope Benedict XIII and Napoleon were avid users, confirming snuff's widespread appeal.
  This close-up portrait, set against a stark black background, emphasizes the critique embodied in the character. Casanova Estorach's choice of subject matter and execution conveys a clear message: a satirical commentary on the hypocrisy of religious figures who, despite their vows of austerity, indulge in earthly pleasures. Like many of Casanova Estorach’s works, this painting uses humour and sharp observation to expose the weaknesses of the clergy. This artwork exemplifies Casanova Estorach’s mastery in blending technical precision with a provocative narrative, securing his reputation as one of the most incisive and irreverent painters of his time.