{"id":25207,"date":"2019-01-21T13:14:24","date_gmt":"2019-01-21T12:14:24","guid":{"rendered":"https:\/\/nova.arturamon.com\/25198\/"},"modified":"2019-11-19T12:10:40","modified_gmt":"2019-11-19T11:10:40","slug":"25198","status":"publish","type":"post","link":"https:\/\/arturamon.com\/es\/25198\/","title":{"rendered":"Salon du Dessin to put the spotlight on drawings 27th March – 1st April in Paris"},"content":{"rendered":"

PARIS<\/strong><\/span>.-<\/strong><\/span>\u00a0The eagerly anticipated\u00a0Salon du Dessin<\/a>\u00a0will take place again this spring under the vaulted roof of Paris\u2019s Palais brongniart and will once again feature a selection of outstanding works on paper. among the 39 exhibitors from around the world will be four handpicked new galleries and two that are returning after an absence of a few years. among the treasures on display will be rare drawings by Egon Schiele and Gustav Klimt, presented by the Austrian gallery Wienerroither & Kohlbacher, and a solo show of the work of contemporary artist Jean-Baptiste S\u00e9cheret on the stand of Galerie Jacques Elbaz. The German dealer Martin Moeller will celebrate 100 years of drawings from his country, while the Galerie de la Pr\u00e9sidence features drawings by sculptors.<\/p>\n

\"femme-debout-se-couvrant-le-visage-avec-les-deux-mains\"<\/a><\/p>\n

Egon Schiele (1890-1918),\u00a0Femme debout se couvrant le visage avec les deux mains,\u00a0<\/em>1911.\u00a0<\/span>Gouache, aquarelle et crayon sur papier,\u00a0<\/span>44,7 x 31,5 cm.\u00a0<\/span><\/strong>Signe\u0301 et date\u0301 au centre a\u0300 droite<\/strong>.\u00a0Wienerroither & Kohlbacher, stand 39,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"demi-nu-allonge-sur-la-droite\"<\/a><\/p>\n

Gustav Klimt (1862-1918),\u00a0Demi nu allong\u00e9 sur la droite,<\/em><\/span>\u00a0<\/em><\/span>1914-1915.\u00a0<\/span>Crayon sur papier,\u00a0<\/span><\/strong>35,5 x 55,6 cm.<\/strong>\u00a0Wienerroither & Kohlbacher, stand 39,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"vue-sur-la-tour-pleyel-gennevilliers\"<\/a><\/p>\n

Jean-Baptiste\u00a0S\u00e9cheret\u00a0(1957- ),\u00a0Vue sur la Tour Pleyel, Gennevilliers<\/em>,\u00a0<\/span>2017 \/ 2018.\u00a0<\/span>Peinture a\u0300 la colle et pigments sur papier du Bhoutan,\u00a0<\/span>68 x 76 cm.\u00a0<\/span><\/strong>E\u0301tat interme\u0301diaire<\/strong>.\u00a0Galerie Jacques Elbaz, stand 26,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"brouillard-solaire-new-york\"<\/a><\/p>\n

Jean-Baptiste\u00a0S\u00e9cheret\u00a0<\/span>(1957- ),\u00a0Brouillard solaire New York,\u00a0<\/em>2011-2018.\u00a0<\/span>Peinture a\u0300 la colle et pigments sur papier maroufle\u0301 sur toile,\u00a0<\/span><\/strong>20,9 x 2 7cm.\u00a0<\/strong>Galerie Jacques Elbaz, stand 26,\u00a0Salon du Dessin 2019.
\n<\/span><\/p>\n

\"les-deux-faces-d-une-etoile-de-mer\"<\/a><\/p>\n

Franz Anton von Scheidel,\u00a0Les deux faces d\u2019une \u00e9toile de mer.\u00a0<\/em><\/span>Aquarelle sur crayon et papier blanc inscrit au stylo et encre brune,\u00a0<\/span>36,4 x 51,6 cm.<\/span><\/strong>\u00a0<\/span>Moeller & Cie., Stand 1,\u00a0Salon du Dessin 2019.<\/span>\u00a0<\/span><\/strong>\u00a9 CHRISTOPH IRRGANG.<\/span><\/p>\n

\"mauvais-reves-pendant-la-premiere-nuit-a-rugen\"<\/a><\/p>\n

Richard M\u00dcLLER (1874-1954),\u00a0Mauvais r\u00eaves pendant la premi\u00e8re nuit \u00e0 R\u00fcgen,\u00a0<\/em><\/strong><\/span>1918.\u00a0<\/span>Craie noire et crayon sur carton,\u00a0<\/span>inscrit, signe\u0301 et date\u0301,\u00a0<\/span>37,8 x 43,3 cm.\u00a0<\/span><\/strong>Moeller & Cie., Stand 1,\u00a0Salon du Dessin 2019.\u00a0<\/span>\u00a9 CHRISTOPH IRRGANG.<\/span><\/p>\n

The 28th edition of the art fair will also host two museum-level exhibitions. \u201cFestivities in Paris\u201d will feature drawings from the collection of the Mus\u00e9e Carnavalet-Histoire de Paris (currently closed for renovation until late 2019), while the Maison Chaumet will exhibit drawings of its jewelry in an exhibition on the theme of nature, curated by botanist Marc Jeanson, who worked on the magnificent exhibition \u201cJardins\u201d at the Grand Palais in 2017.\u00a0\u00a0<\/span><\/p>\n

Other highlights of the salon du dessin will be the presentation of the TWELFTH Daniel and Florence Guerlain Drawing Prize and the return of a program of international symposia, which will focus on the performing arts this year.\u00a0<\/span><\/p>\n

 <\/p>\n

\"GUERLAIN\"<\/a><\/p>\n

Mamma Andersson,\u00a0Swan Song II<\/em>, 2016, ink on paper, 70 x 49,5 cm, nomin\u00e9e 2018\u00a0du Prix de Dessin Contemporain de la Fondation Daniel et Florence Guerlain<\/strong>. Courtesy Galleri Magnus Karlsson. \u00a9Per-Erik Adamsson.<\/p>\n

\"GuerlianBD\"<\/a><\/p>\n

Leiko Ikemura,\u00a0Faces II<\/em>, 2008, watercolour on paper, 21 x 15 cm (courtesy de l\u2019artiste), nomin\u00e9e 2018\u00a0du Prix de Dessin Contemporain de la Fondation Daniel et Florence Guerlain. Collection Florence et Daniel Guerlain<\/strong>. \u00a9Andr\u00e9 Morin.<\/p>\n

\"GUERLAIN\"<\/a><\/p>\n

Juul Kraijer,\u00a0Untitled<\/em>, 2012, Charcoal on paper, 95,9 x 72,2 cm, nomin\u00e9e 2018\u00a0du Prix de Dessin Contemporain de la Fondation Daniel et Florence Guerlain<\/strong>. Courtesy de l’artiste, Collection Florence et Daniel Guerlain.<\/p>\n

Drawing Week, a highly popular off-site event organized in partnership with over 20 museums and institutions, will offer access to graphic arts collections that are usually off-limits to the public.<\/p>\n

My selection:<\/p>\n

\"danseuse-cambodgienne-au-sampot-rouge\"<\/a><\/p>\n

Auguste Rodin,\u00a0Danseuse cambodgienne au sampot rouge,\u00a0<\/em>1906-1907.\u00a0<\/span>Graphite, aquarelle et trace de gouache sur papier ve\u0301lin,\u00a0<\/span>32 x 21,5 cm.\u00a0<\/span>Cachet violet Rodin en bas a\u0300 droite.<\/span><\/strong>\u00a0Galerie AB, stand 9,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"loth-ses-filles\"<\/a><\/p>\n

Giovanni Francesco Barbieri, dit Le Guercino (1591- 1666),\u00a0Loth & ses filles.\u00a0<\/em><\/span>Sanguine,\u00a0<\/span>23,5 x 32,7 cm.\u00a0<\/span><\/strong>Christopher Bishop Fine Art, stand 12,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"lucrece\"<\/a><\/p>\n

Giovanni Francesco Barbieri dit Il\u00a0Guercino\u00a0<\/span>(1591- 1666),\u00a0Lucr\u00e8ce,\u00a0<\/em><\/span>Circa 1638.\u00a0<\/span>Plume et encre brune,\u00a0<\/span>14,5 x 12,3 cm.\u00a0<\/span><\/strong>Galerie\u00a0<\/span>Terrades, stand 15,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

Oeuvre en rapport : Lucre\u0300ce, huile sur toile.<\/span><\/p>\n

\"venus-a-la-forge-du-vulcain\"<\/a><\/p>\n

Giovanni Domenico Tiepolo (1727-1804),\u00a0V\u00e9nus \u00e0 la forge du Vulcain.\u00a0<\/em><\/span>Plume a\u0300 l’encre brune, lavis brun sur esquisse a\u0300 la pierre noire, 20,4 x 37,9 cm.\u00a0Nume\u0301rote\u0301\u00a0<\/span>a\u0300 la plume et a\u0300 l\u2019encre brune (verso), 77,\u00a0<\/span>et inscrit a\u0300 la pierre noire, J.B. Tiepolo.<\/span><\/strong>\u00a0Galerie\u00a0W. M. Brady & Co., stand 18,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"le-sagittaire\"<\/a><\/p>\n

Emile-Antoine Bourdelle\u00a0(1861-1929),\u00a0Le Sagittaire<\/em>,\u00a0<\/span>1920.\u00a0<\/span>Aquarelle sur esquisse a\u0300 la plume et l’encre brune, lavis brun,\u00a0<\/span>20 x 26 cm.\u00a0<\/span>Signe\u0301 et inscrit en haut a\u0300 droite, A<\/span>L\u2019AMI\/ARNAULT\/EN AFFECTION\/ANT\/BOURDELLE\u00a0<\/span>; inscrit en haut a\u0300 gauche, LE SAGITTAIRE ; inscrit et<\/span><\/strong>date\u0301 en bas a\u0300 gauche, TROU\/4 D\u2019OCTOBRE\/1920.<\/strong>\u00a0Galerie\u00a0W. M. Brady & Co., stand 18,\u00a0Salon du Dessin 2019.<\/span><\/span><\/p>\n

\"venus\"<\/a><\/p>\n

Jan van der Straert dit Johannes Stradanus (1523- 1605),\u00a0V\u00e9nus,\u00a0<\/em><\/span><\/strong><\/span>Circa 1599.\u00a0<\/span>Crayon noir, encre brune et rehauts de gouache blanche,\u00a0<\/span>18,2 x 12,5 cm.\u00a0<\/span>Annote\u0301 a\u0300 la plume et encre brune dans la partie supe\u0301rieure VENVS et signe\u0301 dans la partie infe\u0301rieure Io. Stradamus.<\/span><\/strong>\u00a0<\/span>Galerie Paul Prout\u00e9, stand 20,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"branches-de-physalis-et-de-marguerites\"<\/a><\/p>\n

Eug\u00e8ne Delacroix (1798-1863),\u00a0Branches de physalis et de marguerites.\u00a0<\/em><\/span>Pastel,\u00a0<\/span>26,2 x 40,2 cm.<\/span><\/strong>G<\/span>alerie Nathalie Motte Masselink, stand 25,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"salon-2\"<\/a><\/p>\n

Herman Saftleven (1609-1685),\u00a0R\u00e9colte de fruits (Septembre)<\/em>, 1670, pierre noire, lavis gris, 15,4×24,3cm, monogramm\u00e9 HSK et dat\u00e9.<\/span><\/strong>\u00a0<\/span>Onno van Seggelen Fine Arts, stand 27,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

Provenance<\/strong>; Johann Edler Goll van Franckenstein (L.2987)
\nLitt\u00e9rature<\/strong>: Schulz 857.<\/span><\/p>\n

\"joyeuse-compagnie\"<\/a><\/p>\n

Pieter Jansz Quast (1605-1647),\u00a0Joyeuse compagnie.\u00a0<\/em><\/span>Graphite, lavis gris sur ve\u0301lin,\u00a0<\/span>27,8 x 34,7 cm. Signe\u0301 \u00abPieter Quast\u00bb.\u00a0<\/span><\/strong>Onno van Seggelen Fine Arts, stand 27,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"o-ombre-dessin-pour-un-alphabet-sentimental\"<\/a><\/p>\n

Pierre Bonnard (1867-1947),\u00a0O, Ombre (Dessin pour un Alphabet sentimental),\u00a0<\/em><\/span>1893.\u00a0<\/span>Brosse et encre de chine, lavis d’encre et crayon sur papier,\u00a0<\/span>18,4 x 20 cm.\u00a0<\/span><\/strong>Monogramme\u0301 en bas a\u0300 droite.<\/strong>\u00a0Galerie Jill Newhouse, stand 29,\u00a0Salon du Dessin 2019.
\n<\/span><\/p>\n

\"1760\"<\/a><\/p>\n

Charles Fran\u00e7ois de la Traverse (1726-1787),\u00a0<\/span>Loth et ses filles<\/em>,\u00a0<\/span>1760<\/span>.\u00a0Encre brune et lavis d’encre brune sur papier,\u00a0<\/span>31 x 20,4 cm.\u00a0<\/span><\/strong>Jos\u00e9 de la Mano Galer\u00eda de Arte, stand 30,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"saint-bruno-fait-ses-adieux-a-saint-hugo\"<\/a><\/p>\n

Vicente CARDUCHO (1576-1638),\u00a0Saint Bruno fait ses adieux \u00e0 Saint Hugo,\u00a0<\/em><\/span>Circa 1626-28.\u00a0<\/span><\/strong>Crayon noir, lavis d’encre brune et rehauts de craie blanche sur papier verge\u0301, mise au carreau crayon,\u00a0<\/span><\/strong>27,8 x 24,8 cm.\u00a0<\/span><\/strong>Artur Ramon Art, stand 31,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"mousquetaire-a-l-epee\"<\/a><\/p>\n

\n
\n
\n

Pablo Picasso (1881-1973),\u00a0Mousquetaire \u00e0 l’\u00e9p\u00e9e<\/em>, 1971. Crayon sur papier cartonne\u0301, 30,8 x 21,9 cm. Dat\u00e9 et sign\u00e9 \u00ab 15.7.71 Picasso \u00bb.\u00a0<\/strong>Artur Ramon Art, stand 31,\u00a0Salon du Dessin 2019.<\/span>\"allegorie-de-la-peinture\"<\/a><\/p>\n

Jean Touze (1747-1809),\u00a0All\u00e9gorie de la peinture,\u00a0<\/em><\/span>Minerve couronnant les arts<\/em>.\u00a0Pierre noire, plume, encre et rehauts de craie blanche sur papier,\u00a0<\/span><\/strong>50,3 x 43,5 cm<\/strong>.\u00a0Talabardon &\u00a0Gautier, stand 33,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"deux-baigneurs\"<\/a><\/p>\n

Armand Seguin (1869 \u2013 1903),\u00a0Deux baigneurs,\u00a0<\/em><\/span>Circa 1895.\u00a0<\/span>Dessin pre\u0301paratoire a\u0300 la zincographie fusain, plume et encre de Chine sur papier\u00a0<\/span>(filigrane Van Gelder),\u00a0<\/strong>27,7 x 24,6 cm<\/strong>.\u00a0<\/span>Talabardon &\u00a0Gautier, stand 33,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"etude-pour-une-section-de-la-coupole-du-dome-de-florence-section-sud-representant-le-peche-de-la-gourmandise\"<\/a><\/p>\n

Federico Zuccaro (vers 1540-41 – 1609),\u00a0Etude pour une section de la coupole du D\u00f4me de Florence, section sud repr\u00e9sentant le p\u00e9ch\u00e9 de la gourmandise.\u00a0<\/em>Plume et encre brune avec lavis brun et rose, mise au carreau \u00e0 la sanguine. Inscrit \u00e0 la plume et encre brune\u00a0: \u00abbuono et ottimo\u00bb, 166 x 306 mm<\/strong>.\u00a0Jean-Luc Baroni & Marty de Cambiaire, stand 34,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"cariatide-tournee-vers-la-gauche\"<\/a><\/p>\n

Amedeo Modigliani (1884-1920),\u00a0Cariatide tourn\u00e9e vers la gauche,\u00a0Vers 1913-1914.\u00a0<\/span>Crayon gras sur papier,\u00a0268 x 210 mm<\/strong>.\u00a0Jean-Luc Baroni & Marty de Cambiaire, stand 34,\u00a0Salon du Dessin 2019.<\/span><\/p>\n

\"etude-de-saint-paul\"<\/a><\/p>\n

Louis de Boullogne (1654-1733),\u00a0Etude de Saint Paul.\u00a0<\/em><\/span>Pierre noire et rehauts de craie blanche sur papier bleu,\u00a031 x 43 cm.\u00a0Monogramm\u00e9 en bas au centre<\/strong>. Galerie Eric Coatalem, stand 36,\u00a0Salon du Dessin 2019.<\/p>\n

\"marine-avec-barque\"<\/a><\/p>\n

Victor Hugo\u00a0(1802-1885),\u00a0Marine avec barque,\u00a0<\/em>1866. Plume, pinceau, encre brune et lavis brun, rehauts de gouache blanche, grattoir, 16 x 23,5 cm. Signe\u0301, situe\u0301 date\u0301 en bas a\u0300 gauche \u00ab Victor Hugo, Guernesey 1856 \u00bb<\/strong>.\u00a0Galerie de Bayser, stand 37,\u00a0Salon du Dessin 2019.<\/p>\n

 <\/p>\n<\/div>\n

alaintruong.com<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

PARIS.-\u00a0The eagerly anticipated\u00a0Salon du Dessin\u00a0will take place again this spring under the vaulted roof of Paris\u2019s Palais brongniart and will once again feature a selection of outstanding works on paper. […]<\/p>\n","protected":false},"author":14,"featured_media":25201,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_acf_changed":false,"footnotes":""},"categories":[565,405],"tags":[],"class_list":["post-25207","post","type-post","status-publish","format-link","has-post-thumbnail","hentry","category-general-es","category-blog-prensa","post_format-post-format-link"],"acf":[],"_links":{"self":[{"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/posts\/25207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/comments?post=25207"}],"version-history":[{"count":0,"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/posts\/25207\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/media\/25201"}],"wp:attachment":[{"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/media?parent=25207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/categories?post=25207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arturamon.com\/es\/wp-json\/wp\/v2\/tags?post=25207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}