{"id":43623,"date":"2024-01-25T13:00:30","date_gmt":"2024-01-25T12:00:30","guid":{"rendered":"https:\/\/arturamon.com\/exposicio\/silvia-hornig-and-modern-landscapes\/"},"modified":"2024-01-30T13:52:01","modified_gmt":"2024-01-30T12:52:01","slug":"silvia-hornig-and-modern-landscapes","status":"publish","type":"exposicio","link":"https:\/\/arturamon.com\/en\/exposicio\/silvia-hornig-and-modern-landscapes\/","title":{"rendered":"silvia hornig and modern landscapes"},"content":{"rendered":"\n

In silvia hornig<\/strong>\u2019s work (Marktredwitz, Germany, 1962), music is at the origin of everything, and music accompanies the painting and the painting is music. Vibrations, cadence, counterpoints and rhythms cohabitate within the pictorial spaces created by the German artist<\/strong>. In this exhibition, her work maintains an atemporal conversation <\/strong>with an extraordinary ensemble of landscapes by Catalan artists, or works inspired in the Mediterranean landscapes<\/strong> of the end of the<\/strong> nineteenth and beginning of the twentieth centuries<\/strong>. It is a dialogue without stridencies, natural, in which the skies, sea, mountains and the earth of the landscapes connect with hornig<\/strong>\u2019s sonorous abstraction. Blots, colours and glazes are in harmony beyond space and time. <\/p>\n\n\n\n

Fragment of the text by Montse Frisach<\/strong><\/p>\n\n\n\n

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The pictorial process emerges from inside, from a sound; a colour \u201cvisits\u201d me and then brings along its companions, other colours, sometimes in the guise of a specific blot, sometimes as a wash. This interior world has its own \u201claws\u201d, there is no gravity, nor time, but certainly there is constant change. Using many layers of colour generates a vibration, a resonance, the tritone; a very \u201cclassical\u201d technique that creates depth.<\/em> <\/p>\n\n\n\n

silvia hornig<\/p>\n\n\n